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There was a bright light in two of the upper windows, but below the house was nearly dark, and Bright was in his bar-room, settling up the business of the day. Suddenly the light in the windows became brighter, then the shadow of a female figure was seen crossing and recrossing the room every few seconds. Tite watched and watched that flitting shadow, for he read in it the object of his heart's love, read in it the joy that was in store for him, perhaps--perhaps the sorrow. The figure was Mattie's, and it was her shadow that was causing him all this heart-aching. Now the figure took the place of the shadow, and stood looking out at the window, as if contemplating the moon and the stars, for nearly a minute. Yes, there was Mattie, watching and wondering what had become of the man who was at that moment contemplating her movements. Then the figure and the shadow disappeared, but it was only to increase Tite's impatience to see her.

Melbourne can hardly be called a very great man,--he had not the purpose or tenacity for that, and he thought both too contemptuously and too indulgently of human nature,--but I know of no historical figure who is more wholly transfused and penetrated by the aroma of charm. Everything that he did and said had some distinction and unusualness: perceptive observation, ripe wisdom, and, with it all, the petulant attractiveness of the spoiled and engaging child. And yet even so, one is baffled, because it is not the profundity or the gravity of what he said that impresses; it is rather the delicate and fantastic turn he gave to a thought or a phrase that makes his simplest deductions from life, his most sensible bits of counsel, appear to have something fresh and interesting about them, though prudent men have said much the same before, and said it heavily and solemnly.


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