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This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.

Naturally, when one has before one the prospect of leaving this world at any moment, and one is working under a severe mental strain, one generally thinks deeply of one's beloved parents and relatives. Thus my father, mother and sister were before me all the time in my imagination. Sometimes when I was half-dazed I could see them so vividly that I could almost believe they were so close that I could touch them. I never thought that I should see them again, in reality, although I never actually lost hope of doing so; but I was thinking incessantly of them, and of the anxiety I was causing them, as I had had no possible way of communicating with them for months and months.

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