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VIRTUE is like a rich stone, best plain set; and surely virtue is best, in a body that is comely, though not of delicate features; and that hath rather dignity of presence, than beauty of aspect. Neither is it almost seen, that very beautiful persons are otherwise of great virtue; as if nature were rather busy, not to err, than in labor to produce excellency. And therefore they prove accomplished, but not of great spirit; and study rather behavior, than virtue. But this holds not always: for Augustus Caesar, Titus Vespasianus, Philip le Belle of France, Edward the Fourth of England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirits; and yet the most beautiful men of their times. In beauty, that of favor, is more than that of color; and that of decent and gracious motion, more than that of favor. That is the best part of beauty, which a picture cannot express; no, nor the first sight of the life. There is no excellent beauty, that hath not some strangeness in the proportion. A man cannot tell whether Apelles, or Albert Durer, were the more trifler; whereof the one, would make a personage by geometrical proportions; the other, by taking the best parts out of divers faces, to make one excellent. Such personages, I think, would please nobody, but the painter that made them. Not but I think a painter may make a better face than ever was; but he must do it by a kind of felicity (as a musician that maketh an excellent air in music), and not by rule. A man shall see faces, that if you examine them part by part, you shall find never a good; and yet altogether do well. If it be true that the principal part of beauty is in decent motion, certainly it is no marvel, though persons in years seem many times more amiable; pulchrorum autumnus pulcher; for no youth can be comely but by pardon, and considering the youth, as to make up the comeliness. Beauty is as summer fruits,) which are easy to corrupt, and cannot last; and for the most part it makes a dissolute youth, and an age a little out of countenance; but yet certainly again, if it light well, it maketh virtue shine, and vices blush.

Somewhat higher than the fish in the scale of life is the frog. Although he begins life as a fish, and in the tadpole state breathes by gills, he soon discards the water-diluted air of the pond, and with perfect lungs boldly inhales the pure air of the upper world. His life as a tadpole, although so fish-like, is much inferior to true fish life: for though the fish has not the perfect lung, he has a modification of it which he fills with air, not for breathing purposes, but as an air-sac to make him float like a bubble in the water. Will he rise to the surface? he inflates the air-bladder. Will he sink to the bottom? he compresses the air-bladder. But in the frog the air-bladder changes into the lungs, and is never the delicate balloon which floats the fish in aqueous space. When the frog's lungs are perfected, his gills close, and he forever abandons fish-life, though being a cold-blooded creature he needs comparatively little air, and delights to return to his childhood's home in the bottom of the pond. But although he can stay under water for a long time, he is obliged to hold his breath while there, and when he would breathe must come to the surface to do so. It is possible to drown him by holding him under water.

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